Act 2, scene 1

ACT II.

Scene I. A court within the Castle of the Earl of Gloster.

[Enter Edmund and Curan, meeting.]

Edm.
Save thee, Curan.

Cur.
And you, sir. I have been with your father, and given him notice that the Duke of Cornwall and Regan his duchess will be here with him this night.

Edm.
How comes that?

Cur.
Nay, I know not.—You have heard of the news abroad; I mean the whispered ones, for they are yet but ear-kissing arguments?

Edm.
Not I: pray you, what are they?

Cur.
Have you heard of no likely wars toward, ‘twixt the two dukes of Cornwall and Albany?

Edm.
Not a word.

Cur.
You may do, then, in time. Fare you well, sir.

[Exit.]

Edm.

Video

[Enter Edgar.]

My father watches:—sir, fly this place;
Intelligence is given where you are hid;
You have now the good advantage of the night.—
Have you not spoken ‘gainst the Duke of Cornwall?
He’s coming hither; now, i’ the night, i’ the haste,
And Regan with him: have you nothing said
Upon his party ‘gainst the Duke of Albany?
Advise yourself.

Edg.
I am sure on’t, not a word.

Edm.
I hear my father coming:—pardon me;
In cunning I must draw my sword upon you:—
Draw: seem to defend yourself: now quit you well.—
Yield:—come before my father.—Light, ho, here!
Fly, brother.—Torches, torches!—So farewell.

[Exit Edgar.]


Of my more fierce endeavour: [Wounds his arm.]
I have seen drunkards
Do more than this in sport.—Father, father!
Stop, stop! No help?

[Enter Gloster, and Servants with torches.]

Glou.
Now, Edmund, where’s the villain?

Edm.
Here stood he in the dark, his sharp sword out,
Mumbling of wicked charms, conjuring the moon
To stand auspicious mistress,—

Glou.
But where is he?

Edm.
Look, sir, I bleed.

Glou.
Where is the villain, Edmund?

Edm.
Fled this way, sir. When by no means he could,—

Glou.
Pursue him, ho!—Go after.

[Exeunt Servants.]

—By no means what?

Edm.
Persuade me to the murder of your lordship;
But that I told him the revenging gods
‘Gainst parricides did all their thunders bend;
Spoke with how manifold and strong a bond
The child was bound to the father;—sir, in fine,
Seeing how loathly opposite I stood
To his unnatural purpose, in fell motion
With his prepared sword, he charges home
My unprovided body, lanc’d mine arm;
But when he saw my best alarum’d spirits,
Bold in the quarrel’s right, rous’d to the encounter,
Or whether gasted by the noise I made,
Full suddenly he fled.

Glou.
Let him fly far;
Not in this land shall he remain uncaught;
And found—dispatch’d.—The noble duke my master,
My worthy arch and patron, comes to-night:
By his authority I will proclaim it,
That he which finds him shall deserve our thanks,
Bringing the murderous coward to the stake;
He that conceals him, death.

Edm. 
Icon - ImageWhen I dissuaded him from his intent,
And found him pight to do it, with curst speech
I threaten’d to discover him: he replied,
‘Thou unpossessing bastard! dost thou think,
If I would stand against thee, would the reposal
Of any trust, virtue, or worth in thee
Make thy words faith’d? No: what I should deny
As this I would; ay, though thou didst produce
My very character, I’d turn it all
To thy suggestion, plot, and damned practice:
And thou must make a dullard of the world,
If they not thought the profits of my death
Were very pregnant and potential spurs
To make thee seek it.

Glou.
Strong and fast’ned villain!
Would he deny his letter?—I never got him.

[Trumpets within.]

Hark, the duke’s trumpets! I know not why he comes.—
All ports I’ll bar; the villain shall not scape;
The duke must grant me that: besides, his picture
I will send far and near, that all the kingdom
May have due note of him; and of my land,
Loyal and natural boy, I’ll work the means
To make thee capable.Video

 

[Enter Cornwall, Regan, and Attendants.]

Corn.
How now, my noble friend! since I came hither,—
Which I can call but now,—I have heard strange news.

Reg.
If it be true, all vengeance comes too short
Which can pursue the offender. How dost, my lord?

Glou.
O madam, my old heart is crack’d,—it’s crack’d!

Reg.
What, did my father’s godson seek your life?
He whom my father nam’d? your Edgar?

Glou.
O lady, lady, shame would have it hid!

Reg.
Was he not companion with the riotous knights
That tend upon my father?

Glou.
I know not, madam:—
It is too bad, too bad.

Edm.
Yes, madam, he was of that consort.

Reg.
No marvel then though he were ill affected:
‘Tis they have put him on the old man’s death,
To have the expense and waste of his revenues.
I have this present evening from my sister
Been well inform’d of them; and with such cautions
That if they come to sojourn at my house,
I’ll not be there.

Corn.
Nor I, assure thee, Regan.—
Edmund, I hear that you have shown your father
A childlike office.

Edm.
‘Twas my duty, sir.

Glou.
He did bewray his practice; and receiv’d
This hurt you see, striving to apprehend him.

Corn.
Is he pursu’d?

Glou.
Ay, my good lord.

Corn.
If he be taken, he shall never more
Be fear’d of doing harm: make your own purpose,
How in my strength you please.—For you, Edmund,
Whose virtue and obedience doth this instant
So much commend itself, you shall be ours:
Natures of such deep trust we shall much need;
You we first seize on.

Edm.
I shall serve you, sir,
Truly, however else.

Glou.
For him I thank your grace.

Corn.
You know not why we came to visit you,—

Reg.
Thus out of season, threading dark-ey’d night:
Occasions, noble Gloster, of some poise,
Wherein we must have use of your advice:—
Our father he hath writ, so hath our sister,
Of differences, which I best thought it fit
To answer from our home; the several messengers
From hence attend despatch. Our good old friend,
Lay comforts to your bosom; and bestow
Your needful counsel to our business,
Which craves the instant use.

Glou.
I serve you, madam:
Your graces are right welcome.

  <p dir="ltr"><a title=";)" href="http://nathanblom.com/how-do-lears-actions-affect-the-course-of-the-play/#zoe_essay" target="_blank">Earlier in the play, when we first learned that Edmund planned on scheming so that he could receive some of his rightful inheritance  (except not actually rightful because he is a bastard, but rightful in that we, today, believe that he deserves just as much inheritance as Edgar who was not born out of wedlock) I felt sorry enough for him that I was rooting for him.  In the true fashion of an underdog story, I was hoping that Edmund could trick his father in to giving him an equal amount to Edgar because they both deserved it; it isn’t Edmund’s fault that he is a bastard. If anyone should be punished it’s Gloucester.</a></p> <p>&nbsp;</p> <p dir="ltr"><a title=";)" href="http://nathanblom.com/how-do-lears-actions-affect-the-course-of-the-play/#zoe_essay">However, now that Edmund has lied to his father in such a way that Edgar looks bad, I’ve lost a lot of respect for him and now think that he is turning from an underdog story in to a psychopath story about someone who, from being mistreated, becomes so greedy that he murders everyone in a rage.  I don’t think that will happen, but it just reminds me of that.  </a></p> <p>&nbsp;</p> <p dir="ltr"><a title=";)" href="http://nathanblom.com/how-do-lears-actions-affect-the-course-of-the-play/#zoe_essay">It’s not that I don’t think that Edmund also deserves the inheritance, it’s that I think that both sons deserve it and now that Edmund has thrown Edgar under the bus in a selfish and greedy way, I am no longer rooting for him.</a></p> <p>&nbsp;</p> <p><a title=";)" href="http://nathanblom.com/how-do-lears-actions-affect-the-course-of-the-play/#zoe_essay"> -Zoe Kushlefsky</a></p>
<br /> <a href="http://nathanblom.com/angered-euro-twerp/#munjackessay" target="_blank">Now, it almost seems as if the subplot may even take precedence over the main plot further on down the road. I find Edmund&#8217;s character to be immensely interesting. On line 125 of scene 2, Edmund starts talking about how his bastardization has made him into a &#8220;lecherous&#8221; character. He acknowledges he is devious, and he links this to his bastard state. This is fabulous insight into his character. Additionally, I am just so shocked at how easily Edmund can lie about his brother. Everything seems to come out so effortlessly and purposely, without regret. Not only does the lying come so easily, but he even cuts himself to follow through with his scheme. It amazes me how intent he is on attaining power and how corrupt of a person he is. Additionally, Gloucester seems a bit gullible for immediately changing his views on his son and believing so strongly that now he is an enemy and that everything Edmund says is true. He is now intent upon killing his own son, whom he previously loved the most. He doesn&#8217;t even really question it! What kind</a><a href="http://http://nathanblom.com/angered-euro-twerp/#munjackessay" target="_blank"> of father is that? -Sarah Munjack</a>
<p align="JUSTIFY">Zoya D: Sympathy For Edmund?</p> <p align="JUSTIFY"><a title="#DaddyIssues" href="http://nathanblom.com/zoya/#zoya">In scene 2, when Edmund framed Edgar for attacking him and then fleeing I really wanted to feel sympathetic of Edmund and I let myself, for a bit. (sorry guys, #teamedmund) &#8220;Father! Father! Stop Stop!, no help?&#8221; (Shakespeare 2.1.39) he called, &#8220;look sir I bleed.&#8221; Edmund was demanding the attention of his father, but Gloucester was only concerned with Edgar and where he had gone, &#8220;where is the villain?&#8221; he asked completely disregarded Edmund&#8217;s wounded hand. I feel as though Edmund wants nothing more than to just be appreciated with the same care and reverence as Gloucester once did for Edgar. Yes, he wants to be considered legitimate but I think it’s a lot more than just land and money, he wants acceptance and feels that the only way he can achieve this is to set out for Edgar&#8217;s destruction. One must keep in mind that during a time like this a lovely chat with your dad asking for some love and affection as a bastard child wasn&#8217;t the way to go. It was slay now and reap later.</a></p> <p id="id00422"><span style="color: #000000;"></span></p>
<p dir="ltr"><a title="King Lear: Families and Connections" href="http://nathanblom.com/king-lear-families-and-connections/#essay6" target="_blank">Act 2. Scene 1. Commentary by Lila Ardor Bellucci</a></p> <p>&nbsp;</p> <p dir="ltr" id="docs-internal-guid-314e5941-d104-7fe6-2995-bcc40f77b758">In 2.1, Edmund successfully completes his plot to turn his father against Edgar. He also manages to gain the respect the respect and trust of the Duke of Cornwall and Regan. In the beginning of the scene, Edmund is told that the Duke and Duchess will be visiting. Quickly, Edmund calls Edgar out of hiding and advises him to flee before he is found by their angry father. When they hear him approaching, Edmund tells Edgar to draw his sword so as to make the impression that he is defending himself against Edmund, and to run away. He does so and swiftly exits, but before Gloucester comes into the scene, Edmund cuts himself to make it seem as if Edgar has wounded him. Edmund then uses this as further leverage to convince his father that Edgar is not the trustworthy son he though him to be, but rather a cunning villain. He makes himself out to be the brave, loyal son who put himself in danger to stand up for his father and to impress upon his brother how &#8220;manifold and strong a bond the child was bound to th&#8217; father.&#8221;</p> <p>&nbsp;</p> <p dir="ltr">In order to secure his lie, Edmund also sets up for the possibility that Edgar may later try and expose the truth. He does so by claiming that Edgar had threateningly stated &#8220;Dost thou think, if I would stand against thee, would the reposal of any trust, virtue, or worth in thee make thy words faithed? No.&#8221; (Do you really think that, if I stood up to you, anyone would believe your side of the story?) Thereafter, Gloucester is fully convinced that Edmund is his truest, most loyal, and most worthy heir. When the Duke and Duchess arrive, they give their full support to Edmund and the nascent mission to capture and execute Edgar.</p> <p>&nbsp;</p> <p dir="ltr">    Edmund is cruel, but he is really quite a genius. By this point in the story, he has managed both to convince Edgar that his father seeks his death for no apparent reason, and to convince his father that Edgar seeks his death for his inheritance. Especially now that a search team has been sent out to find Edgar, both sides of the story seem to be true. It is amusing that Edmund mentions the bond between father and child. A great deal of King Lear’s plot revolves around the deterioration of family relationships and, in this case, the person catalyzing this deterioration of these relationships seems to be the only one aware of their importance. Edmund knows there should be a filial bond between father and child, but he chooses to ignore this knowledge, an action which he will surely pay for. Do you think Edmund sought solely to become his father’s heir, or do you think he also desired his father&#8217;s love and the filial bond which he never had to his father?</p> <p>&nbsp;</p> <p dir="ltr" id="docs-internal-guid-1f55eac7-d103-0894-8754-3bb3342f6fb8"></p>